Why Beeple Believes Digital Art’s Future Isn’t Up for Debate The artist doesn’t see a divide between digital and traditional—just an overdue but inevitable expansion of what counts as art and who shapes the narrative around it. By Elisa Carollo
How Kay Matschullat’s MAX Is Rewriting the Language of Performance in the Age of Techno Art In her transdisciplinary Media Art Xploration series, science provides the data that art transforms into sensory and emotional experiences. By Elisa Carollo
Museum of Tomorrow’s Fábio Scarano On Rethinking Science Through Art and Redefining Institutional Purpose "Our job is to create experiences that make people ask new questions," the curator tells Observer. By Dan Duray
Art Basel Launches Zero 10, a New Platform for Digital Art in the Era of Next Gen Collecting By Elisa Carollo
A Trove of Early Computer Art Is Hiding in Plain Sight in Sotheby’s History of Science & Technology Sale By Christa Terry
One Fine Show: Lynn Hershman Leeson’s ‘Of Humans, Cyborgs and AI’ at the Nevada Museum of Art By Dan Duray
Christie’s Is Holding the First Ever Dedicated A.I. Art Sale at a Major Auction House By Christa Terry
One Fine Show: ‘The Living End, Painting and Other Technologies, 1970-2020’ at MCA Chicago By Dan Duray
Lightmachines, Digital Realities and the Art of Technological Nostalgia at Tate Modern By Simon Coates
When Human Creativity Meets Technical Autonomy: An Interview With Artist Anna Ridler By Christa Terry
Meet the Collectors: Margo and Jordan Castro On Collecting Around Deviously Kawaii Themes By Christa Terry