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Metropolitan Opera

An authoritative voice for opera enthusiasts and curious newcomers alike. Insightful critiques capturing the grandeur of the Met’s performances, from the vocal brilliance of the stars to the intricacies of the staging and direction—diving deep into each production, analyzing how it measures up to the Met’s storied legacy while providing context for its place in the broader operatic canon. Expect sharp, knowledgeable opinions, behind-the-scenes insights, and a celebration of the art form’s enduring power. Where passion for opera meets expert analysis, all set against the iconic backdrop of the Met. Read more about Opera.

A woman in a white gown holds up a rough sketch of a face during a tense scene on stage while a man sits beside her and a chorus watches from the background.

The Met’s ‘I Puritani’ and the Tension Between Historical Realism and Operatic Fantasy

The English Civil War provides obstacles to Bellini's lovers, but instead of amping up the drama, the additional history knocks it off-kilter.
By Gabrielle Ferrari
A scene from the Metropolitan Opera’s production of Andrea Chénier showing a crowded Revolutionary tribunal, with the baritone portraying Carlo Gérard standing at a tricolor-draped table as soldiers, officials, and onlookers surround him on multiple levels of the set.

The Met’s Crowd-Pleasing ‘Andrea Chénier’ Is Marred By Miscast Lovers

The opera house's current revival, its first in nearly a dozen years, features an attractive, HD-ready cast that only sporadically rises to the occasion.
By Christopher Corwin
A female singer in a large black-and-white gown sings expressively at the center of a crowded ballroom scene as male and female cast members look on, capturing an ensemble moment from the Metropolitan Opera’s Arabella.

Opera Traditionalists Will Adore the Met’s Opulent 1980s ‘Arabella’

Sopranos Rachel Willis-Sørensen and Louise Alder find their “Right Ones” in Strauss’s winning comedy.
By Christopher Corwin
A dramatic moment from the opera shows several performers in striped concentration camp uniforms kneeling and covering their faces, while a man stands nearby holding a sketchpad and other actors converse at a dimly lit table in the background.

Bartlett Sher On Theater as a Catalyst for Change

By Annie Levin
A man in a blue military uniform stands triumphantly with arms outstretched over a group of soldiers lying on the stage floor.

With Precision and Playfulness, ‘La Fille du Regiment’ Considers Love, Loyalty and the Absurdities of War

By Gabrielle Ferrari
A woman in a striped shirt and tulle skirt and a man in casual rehearsal clothes stand close together on a rehearsal stage, smiling and reacting playfully as if mid-performance.

Erin Morley and Lawrence Brownlee Bring ‘Golden Age’ Flair to the Met’s ‘La Fille du Régiment’ Revival

By Christopher Corwin
two performers in mid-action, with a woman in a yellow dress holding a dagger and a man restraining her from behind, set against a backdrop resembling Keith Haring–style black-and-white figures.

Review: Opera Philadelphia’s Snappy Rare Rossini Without Stars and the Met’s Dour New ‘La Sonnambula’

By Christopher Corwin
An actor wearing an open shirt and mask raises one arm dramatically on stage in front of a crowd of men in mid-20th-century clothing, with balloons and stage equipment visible behind him.

Is ‘The Amazing Adventures of Kavalier and Clay’ the Opera We Need or Just the One We Deserve?

By Gabrielle Ferrari
A collage of four vertical images of female performers in dance and opera productions

Fall Culture Preview: Comic Books, Sex Workers and Life in a Thai Restaurant

By David Cote

In the Met’s Many Revivals, Sometimes Second Casts Finish First

By Christopher Corwin
A male and female opera singer are onstage in an emotional scene, with the man kneeling in a dark coat and ruffled shirt and the woman in a flowing white gown leaning toward him as they sing.

‘Three! Seven! Ace!’: The Met Goes All in On ‘Queen of Spades’

By Christopher Corwin
A group of women in formal blue gowns surrounds a central figure in a silver costume and feathered cape, placing a gold headdress on her during a stage performance.

The Met’s ‘Antony and Cleopatra’ Reframes Ancient Tragedy Through the Lens of Propaganda

By Gabrielle Ferrari
An actor in a red suit stands behind a woman in a dark dress, holding a knife to her chest in a dramatic moment from Giulio Cesare, with glitter falling around them onstage.

‘Giulio Cesare’ Versus ‘Antony and Cleopatra’: Round Two

By Christopher Corwin
An adult woman in a black dress with lace collar is surrounded onstage by six young girls dressed identically to her, all with similar blonde hair and serious expressions, evoking different ages of the same character.

Claus Guth’s ‘Salome’ at the Met Says the Quiet Part Loud

By Gabrielle Ferrari
A close-up of a woman with light blonde hair holding a split pomegranate against her forehead, with red juice dripping down, referencing a promotional image for the Metropolitan Opera’s new production of Salome.

Soprano Elza van den Heever Is Tackling the Met’s ‘Salome’ Head On—or Off!

By Christopher Corwin
A powerful stage moment featuring a woman in a wheelchair being held by another woman in a dark costume, who is aggressively raising a knife in her direction while the seated woman pleads.

Topflight Teamwork Makes for a Marvelous Met Mozart

By Christopher Corwin
A man in a dark coat kneels beside another performer in elaborate tribal-style costume and face paint who lies dying, showing the emotional farewell between Greenhorn and Queequeg in Moby Dick at the Met.

‘Moby-Dick’ Sails Confidently into the Met, and the Exhilarating Optimism of ‘Fidelio’ Arrives Just in Time

By Christopher Corwin

Spring Preview: Fight Doom and Gloom as Dance and Opera Speak Truth to Power

By David Cote
A man in a light blue suit and pink shirt stands in front of an audience holding a microphone, with a television screen behind him displaying a theatrical performance featuring a woman draped in silver fabric surrounded by people wearing white head coverings.

Yuval Sharon On Ten Years of The Industry and His Next Moves

By Jordan Riefe
A dramatic moment from Aida features Quinn Kelsey as Amonasro, dressed in regal robes, kneeling beside Angel Blue as Aida, who wears a flowing gown and braided hair, both illuminated by stage lighting against a dark background.

Michael Mayer’s Faux-Archaeologists Can’t Rescue His Entombed ‘Aida’ at the Met

By Christopher Corwin
A woman in a flowing teal dress with braided hair stands confidently in front of a large golden statue of an ancient Egyptian figure, framed by a gilded backdrop, evoking the grandeur and themes of Verdi's Aida.

On Family, Faith and Ensemble Work: Incandescent Soprano Angel Blue Opens Up

By Annie Levin
A photo of a man and a woman seated in a cluttered industrial interior, with the man leaning close to the woman, both appearing in an emotional moment.

‘Die Frau ohne Schatten’ at the Met Is Full of Beauty and Surprises

By Gabrielle Ferrari
A photo of two opera performers on stage in a dramatic moment. The female singer, wearing a long gown, stands in the foreground, while the male singer behind her gestures emphatically.

The Met Honors Puccini With a Scattershot Gala ‘Tosca’

By Christopher Corwin
A photo of two women in period costumes, one in a green dress with a white collar and the other in a white and pink dress with a red sash, standing close together on stage with strings or cords hanging in the background, suggesting an opera scene.

Richard Tucker Award Winners Are Dominating New York City’s Fall Opera Season

By Christopher Corwin
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