Beth Morrison On Reshaping the Boundaries of Contemporary Opera "There’s a lot of amazing work being done here that people should feel good about. We’re just trying to create a conversation about what opera can be in the 21st Century.” By Jordan Riefe
A King of Countertenors Arrives in New York With a Royal Orchestra Let’s hope Franco Fagioli returns soon, as he remains one of the most exciting and moving talents in opera today. By Christopher Corwin
Opera Underground: Caroline Shaw’s ‘Partita for 8 Voices’ and Gelsey Bell’s ‘morning//mourning’ at Green-Wood Cemetery The crypt’s eerie atmosphere and the pre-performance libations couldn't quite compensate for the abridged programs. By Gabrielle Ferrari