Beth Morrison On Reshaping the Boundaries of Contemporary Opera
"There’s a lot of amazing work being done here that people should feel good about. We’re just trying to create a conversation about what opera can be in the 21st Century.”
William Byrd
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Opera Underground: Caroline Shaw’s ‘Partita for 8 Voices’ and Gelsey Bell’s ‘morning//mourning’ at Green-Wood Cemetery
The crypt’s eerie atmosphere and the pre-performance libations couldn't quite compensate for the abridged programs.
