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REDCAT

A barefoot woman in a yellow tunic dress sits on her knees before the end of massive train of blue cloth. The cloth is worn by a figure who sits several meters away from her in the background. The woman in yellow bends over the blue cloth as though folding it.

Elia Arce’s ‘No Time to Mourn (An Excerpt)’ Is a Monument to Grief

The piece’s enculturation rests on a certainty in its own semiotics—a stalwart belief that no matter the audience, grieving should be collective, not singular.
By Mya Ward
Image of Walt Disney Concert all with a digital installation all around.

Refik Anadol Is Launching the World’s First Museum of A.I. Art

DATALAND will "utilize the latest advancements, including Web3 technologies, to collect and exhibit works from the digital art community, providing new ways for these artists to engage with global audiences," he told Observer.
By Elisa Carollo
Image of a totemic statue similar to pre columbian archeology standing in a room with yellow lights

Teiger Foundation Announces $4 Million for Curatorial Projects and Climate Initiatives

The grantees were chosen from among a pool of 500 proposals submitted by curators working at cultural institutions around the U.S.
By Elisa Carollo

Most Recent Posts on Observer

A monolithic green iridescent sculpture emerges from dense vegetation under a cloudy sky.

Puerto Rico’s National Forest Becomes a Living Laboratory for Art and Ecology

By Elisa Carollo
Image of mobile phone displaying white screen and Wikipedia logo

At 25, Wikipedia Navigates a Quarter-Life Crisis in the Age of A.I.

By Alexandra Tremayne-Pengelly
A close-up Renaissance painting depicts Christ half-length against a dark background, his bare torso softly lit, head tilted and eyes lowered in a quiet, sorrowful expression beneath a crown of thorns.

Antonello da Messina’s Rare Double-Sided Masterpiece Will Lead Sotheby’s Old Masters Sales

By Elisa Carollo
A museum educator wearing a LACMA apron smiles while holding a sign supporting unionization inside a workspace lit with warm lights.

Museum Educator Sierra Schiano On the Structural Pressures Behind LACMA’s Union Vote

By Dan Duray
A couple dressed in black sit closely together on a cream-colored sofa beneath an abstract painting in a softly lit living room.

Meet the Collectors: Carl Gambino and Sarah Ivory Refuse to Play the Market Game

By Elisa Carollo
The dining room of Korean Steakhouse Cote in New York City

The Business of Category Creation, According to Simon Kim

By Sonia Rubeck
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