Amid Governmental Interference, Opera at the Kennedy Center is Flourishing—for the Moment In times of crisis, the art form remains a powerful medium for connection. By Christopher Corwin
In the Met’s Many Revivals, Sometimes Second Casts Finish First In many cases, the second, third and even fourth casts surpassed the season premieres that tend to attract the most attention. By Christopher Corwin
Topflight Teamwork Makes for a Marvelous Met Mozart Unlike many works by Puccini, Verdi or Wagner, Mozart’s operas demand charismatic singing actors working closely together with a minimum of diva/divo posturing. By Christopher Corwin
Antonello da Messina’s Rare Double-Sided Masterpiece Will Lead Sotheby’s Old Masters Sales By Elisa Carollo