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Annie Levin

Annie Levin writes about the arts, culture, and politics and everything in-between. Follow her on Twitter at @annierlevin.

  • annie.levin@gmail.com
  • @annierlevin
  • Annie Levin
  • @annierlevin

Opera and Apocalypse: Imagining the World After Humans Have Gone

By Annie Levin

David Geffen Hall Furthers Lincoln Center’s Uniquely Stunning Architectural History

By Annie Levin

Michael Cavadias’ Claywoman Performance Returns to New York City

By Annie Levin

Review: Polymath Artist Frank Walter’s Paintings Shine at David Zwirner Gallery, Curated by Hilton Als

By Annie Levin

Alfredo Jaar’s ‘The Temptation to Exist’ at Galerie Lelong Bit Off More Than It Could Chew

By Annie Levin

Review: Indie Opera ‘Self Defined Circuits’ Is a Riveting Tale of a Sex Robot Reckoning With its Existence

By Annie Levin

Opera’s Tradition of Wealth: Diva Eleonora Buratto Performed at a Decadent $12,000 a Table Gala

By Annie Levin

Non-Equity ‘Waitress’ Musical Tour Files for Union Recognition

By Annie Levin

Will a Small Group of Hair and Makeup Stylists Manage to Change the Definition of a Gig Worker?

By Annie Levin

The ‘Whitney Biennial 2022: Quiet as It’s Kept’ Is Anything but Quiet

By Annie Levin
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