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New York City Center

New York City Center, located at 131 West 55th Street, New York City, opened in 1943. Originally built in 1923 as the Mecca Temple for the Shriners, it was transformed into a performing arts center by Mayor Fiorello La Guardia. Known for its distinctive Moorish Revival architecture, City Center hosts a wide variety of performances, including theater, dance, and concerts. It is renowned for its annual Encores! series, which revives rarely seen American musicals. New York City Center also serves as the home for Alvin Ailey American Dance Theater and numerous other prominent arts organizations. Its commitment to accessibility and excellence makes it a vital part of New York’s cultural landscape. Read more about Theater, Dance and Music.

A group of dancers in earth-toned costumes leap and tumble across a dimly lit stage, their bodies captured midair above a reflective floor under focused beams of light.

Observer’s Guide to the Best Dance Coming to New York City This Winter

The coming months are jam-packed with fascinating festivals, classical ballets and international performances.
By Caedra Scott-Flaherty
New York City Ballet 2025 Spring Gala

Tiler Peck On Bringing ‘Turn It Out with Tiler Peck & Friends’ Back to City Center

Her curatorial approach transforms the stage into a meeting place for different genres and creative sensibilities to participate in rhythmic dialogue.
By Caedra Scott-Flaherty
A collage of four vertical images of female performers in dance and opera productions

Fall Culture Preview: Comic Books, Sex Workers and Life in a Thai Restaurant

Maybe by demystifying “highbrow” forms, we can protect them from being co-opted by ideologues.
By David Cote
An older woman with short brown hair, wearing a gray tracksuit, sits barefoot in an upholstered chair holding a wine glass filled with red liquid, looking upward with a pensive expression beside a green-shaded table lamp.

Elizabeth McGovern’s ‘AVA: The Secret Conversations’ Leaves the Best Stories Untold

By Rex Reed

Kate Baldwin Takes On The Story Of A 230 Year Marriage With ‘Love Life’

By Harry Haun

Review: Is ‘Urinetown’ Still Good to the Last Drop?

By David Cote
Five dancers lie intertwined on a stage beneath a dramatic backdrop of clouds. They wear light, flowing costumes, and their pose suggests a sense of yearning or reaching towards something greater.

Ailey’s Angels: A Look at the Company’s New York City Center 2024 Season

By Caedra Scott-Flaherty

Opera and Dance Fall Preview: A Rich Tapestry of Politics, Myth and Mortality

By David Cote

‘Titanic’ Review: Encores Raises The Ship of Dreams For The 21st Century

By Harry Haun
A male dancer in black dance briefs lifts a female dancer in a white dress with a black belt

Martha Graham Dance Company Explores the American Experience, Past and Present

By Caedra Scott-Flaherty

Review: Don’t Sleep on Splendiferous Sutton Foster in ‘Once Upon a Mattress’

By David Cote

Michael Urie Gets Medieval (And Musical) In ‘Spamalot’ and ‘Once Upon a Mattress’

By Harry Haun

In Concert Street Dance, Everything Old Is New Again

By Caedra Scott-Flaherty

Fall Preview: So Much Is New This Season in the Worlds of Opera and Dance

By David Cote

Spring Opera and Dance Preview: 12 Reasons To Jump And Sing

By David Cote

Fall Arts Preview 2022: Opera and Dance You Won’t Want to Miss

By David Cote

Spring Preview: Eight Opera and Dance Performances This Spring in NYC

By David Cote

Reviving the Revivals: ‘Encores!’ Returns to New York City Center 

By Harry Haun

The 10 Performances Not to Miss in Dance This Spring

By Charlotte Barnett
Len Cariou and Craig Bierko in 'Harry Townsend's Last Stand.'

Poignant Performances Hoist ‘Harry Townsend’s Last Stand’ Above the Level of TV Sitcoms

By Rex Reed

New York City Ballet’s Spring Season Runs the Gamut

By Robert Gottlieb

Fun and Games—and Dance!—at New York City Center

By Robert Gottlieb

Sara Mearns Combines the Personal and Professional In a New Role That Sees the Dancer Speak

By Charles Isherwood

Rejoicing at the City Center Balanchine Festival

By Robert Gottlieb
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