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Park Avenue Armory

A group of dancers in earth-toned costumes leap and tumble across a dimly lit stage, their bodies captured midair above a reflective floor under focused beams of light.

Observer’s Guide to the Best Dance Coming to New York City This Winter

The coming months are jam-packed with fascinating festivals, classical ballets and international performances.
By Caedra Scott-Flaherty
Minimalist gallery display with neutral walls, ceramic vessels on white pedestals, and soft organic lighting at Salon Art + Design 2025.

At Salon Art + Design 2025, Innovation, Form and Function Meet Market Enthusiasm

The 14th edition of the hybrid fair unfolded with a rare sense of cohesion and restraint, with many exhibitors adopting a thoughtfully curatorial approach that seamlessly integrated art and design.
By Elisa Carollo
An expansive concert hall filled with audience members shows dozens of pianists and instrumentalists arranged in a large circular setup around the stage.

In ‘11,000 Strings,’ Georg Friedrich Haas Builds a Vast Sonic Landscape

The piece is a work of enormous scope and forcefulness that reaches, by some pivot of a lens, an intimacy that surprises.
By Gabrielle Ferrari
A performer in a gray ruched dress dances barefoot on a stage painted like a Mondrian grid with red, blue, yellow, and white squares.

At the Park Avenue Armory, a Mondrian Becomes the Stage for Radical Expression

By Caedra Scott-Flaherty
A collage of four vertical images of female performers in dance and opera productions

Fall Culture Preview: Comic Books, Sex Workers and Life in a Thai Restaurant

By David Cote
A historical photo showing two groups of women, one of them placing a box atop a ladder and the other marching in a suffragist procession, holding banners and signs demanding justice.

In New York, the Women Behind the Lens Step Into the Frame

By Mary Gregory
Two professionally dressed women in a modern, minimalist living space with contemporary furniture and abstract artwork in the background. One woman is seated in a wooden lounge chair, while the other stands confidently beside her. The room features neutral tones with a bold, colorful painting as a focal point.

Monika Sprüth and Philomene Magers Believe in the Resiliency of the German Art Scene

By Elisa Carollo

Spring Preview: Fight Doom and Gloom as Dance and Opera Speak Truth to Power

By David Cote
Image of a fair all full of poeple and hanging flowers

TEFAF Maastricht’s Manon van den Beuken Reveals Details About the Fair’s Upcoming Edition

By Elisa Carollo
People at an art fair with paintings and antiques.

The Winter Show Returns With an Encyclopedic Presentation and Its Signature Timeless Flair

By Elisa Carollo
A photo of a performer dressed in flowing, semi-transparent clothing kneeling on a stage with a textured green and blue background. The person one arm raised and hands fisted, and is gazing to the side with an expressive posture suggesting deep emotion or contemplation.

Kyle Abraham On the Genesis of ‘Dear Lord, Make Me Beautiful’

By Caedra Scott-Flaherty
View of a fair with attendees.

ADAA’s The Art Show Returns With Highly Curated Booths But Slow Sales

By Elisa Carollo
A woman in coveralls and brains worships the moon

‘Indra’s Net’ Fills New York’s Park Avenue Armory With Sound and Beauty

By Gabrielle Ferrari

Opera and Dance Fall Preview: A Rich Tapestry of Politics, Myth and Mortality

By David Cote
Image of the outside of the building where teh art student league is located

78 Cultural Nonprofits in NYC Will Receive More Than $210 Million in Funding for Capital Projects

By Elisa Carollo
Nicky Dessources, executive director of the fair.

Salon Art + Design Executive Director Nicky Dessources On What’s New This Year

By Elisa Carollo

The Park Avenue Armory Welcomes Jonas Kaufmann Back to New York City

By Christopher Corwin

Fall Arts Preview 2022: Opera and Dance You Won’t Want to Miss

By David Cote

Review: Robert Icke’s ‘Oresteia’ Skillfully Brings Greek Tragedy to Today’s Crises

By David Cote

Review: Robert Icke’s Production of ‘Hamlet’ Misguidedly Embraces the Prince’s Incel-Nature

By David Cote

Review: The Met Opera’s ‘Hamlet’ Takes Big Swings but Mostly Misses

By Christopher Corwin

Review: ‘Elektra’ at the Met Opera With Nina Stemme and Lise Davidsen

By Christopher Corwin

Spring Preview: Eight Opera and Dance Performances This Spring in NYC

By David Cote

Carrie Mae Weems Stuns in “The Shape of Things”

By Anni Irish
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