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Artists

Reviews, commentary, news and interviews with and about the artists who influence every corner of the art market. Visit our Artist Index to browse all artists Observer has chronicled over the last 30+ years.

A horizontal painting showing three crowned women posed shoulder-to-shoulder, each in historical attire from different cultures, facing slightly different directions against a dark, softly blended background.

Shirley Crutchfield’s Gilded Second Act

Her artworks serve as testaments and documentation of women’s power and resilience, particularly when facing societal expectations and gendered stereotypes.
By Xinyi Ye
A large framed painting of multiple nude figures with gray hair intertwined in overlapping poses hangs on a freestanding white wall inside a museum gallery with track lighting and polished gray floors.

At 93, Joan Semmel Continues to Assert the Female Gaze

Rather than shrink from the canvas, the artist is still pushing back on prevailing prejudices, and her work today is as confrontational as ever.
By Fred Voon
Large abstract painting dominated by a bright yellow background. Layered, expressive brushstrokes in pinks, greens, blues, grays, and oranges radiate from a central crossing point. Drips, scraped textures, and grid-like marks create a dynamic, energetic surface with a sense of movement and tension.

Trains of Thought: Yunghun Yoo’s Paintings of Connection and Parting at 839 Gallery

With gestural vigor, the artist renders the slowgoing transfers, the phantom platforms, the eastward abyss, the detours to nowhere towns and the long, circuitous routes that must pass through Union Station tracks like blood through coronary arteries.
By Mya Ward
Another angle of the exhibition, highlighting the whimsical ceramic sculptures arranged on pedestals and a wooden table. The figures, with oversized heads and soft features, are displayed alongside vibrant paintings on the wall, creating a dialogue between sculpture and painting in a spacious, minimal gallery setting.

Otani Workshop’s Invitation to Revisit the Unfiltered Imagination of Early Life

By Elisa Carollo
A large triangular mirrored structure filled with colorful book spines stands on the sand at the edge of the ocean at sunset, surrounded by a circular platform glowing with soft light.

Es Devlin’s ‘Library of Us’ Was the Rare Miami Art Week Spectacle That Invited Quiet Contemplation

By Elisa Carollo
Wide gallery view of Jorge Pardo’s show at Petzel Gallery with layered hanging lamps and vibrant abstract canvases creating a luminous environment.

How Jorge Pardo Turns Light, Color and Form into a Phenomenology of Seeing

By Elisa Carollo
A framed painting shows hooded figures gathered around a bed-like structure with animal-human characters and symbolic objects, reflecting Carrington’s surreal staged rituals.

Curtains and Cauldrons: The Delicate Politics of Exhibiting Leonora Carrington

By Guia Cortassa
A gallery view shows several framed abstract drawings on a wall behind an arrangement of oversized brown folding chairs and tables, illustrating Robert Therrien’s use of everyday domestic forms at exaggerated scale.

Robert Therrien’s Ordinary Uncanny at the Broad in L.A.

By Jordan Riefe
A textured abstract painting composed of dense, interlocking blocks and brushstrokes of color, dominated by greens, yellows, and earthy tones, with touches of turquoise, lavender, and red. The thickly applied paint creates a mosaic-like surface with visible ridges and cracks. Vertical and horizontal forms intersect throughout the composition, giving the impression of an abstracted cityscape or layered foliage. The work is displayed in a simple white frame against a light-colored wall.

The Early Experiments of Manoucher Yektai

By Mya Ward
USA-MIAMI-CITY-FLORIDA

The Aerosol Awakening: Shepard Fairey On Street Art’s Infiltration of Miami Art Week

By J. Scott Orr
An impressionist painting featuring a tall white stucco house on the right and a dirt lane on the left flanked by short flowering plants and a tall hedge

One Fine Show: “Camille Pissarro’s Impressionism” at the Denver Art Museum

By Dan Duray
Hundreds of thin white cords hang densely from the ceiling in straight vertical lines, converging toward a bright central grid of lights and creating a dramatic tunnel-like visual effect.

Don’t Miss These Five Museum-Grade Works in Art Basel Miami Beach’s Meridians Sector

By Elisa Carollo
Celebrity Sightings In New York - October 20, 2025

Will the Latest Basquiat Biopic Hew to History? Al Diaz Has His Doubts

By J. Scott Orr
An art exhibition in a wide concrete gallery featuring three pickup trucks in a line: one green, one red, one blue.

Gagosian’s Kara Vander Weg On Shaping the Afterlife of an Artist’s Work

By Dan Duray
A man wearing a white conical hat stands with his forehead pressed against a blank wall while a video camera on a tripod records him from across an empty room, creating a scene of deliberate absurdity characteristic of Erwin Olaf’s April Fool images.

Hans van Manen Remembers Photographer Erwin Olaf

By Nicolas Vamvouklis
An image shows a group of thirteen women standing barefoot in a field under a cloudy sky, wearing traditional skirts and head coverings while lifting their blouses to expose their chests as one woman kneels in front of them, performing a ritual featured in Balkan Erotic Epic.

Marina Abramovic’s Erotic Epic Spreads Wide (and Displays the Limits of) the Artist’s Psyche

By Adam Robb
A man wearing gloves and a black shirt drags a tool through thick black and white paint on a large canvas covered in abstract, textured strokes.

An Interview with Anselm Kiefer, Iconoclastic Alchemist

By Dian Parker
A figurative painting is displayed at the center of an empty wooden shelving unit inside a warmly lit room.

Tomasz Kowalski Digs Into the Psychic Archeology of Light in Paris

By Elisa Carollo
An artist wearing a cap and gray sweater leans over a large oil-paint printer machine as she works on a printed portrait in her studio.

The Algorithm Thinks You’re Ugly: An Interview With Artist Gretchen Andrew

By Mieke Marple
A painting by Wayne Thiebaud from 1961 titled Pie Rows shows more than twenty slices of pie—some topped with whipped cream, some fruit-filled—arranged in neat rows on individual white plates across a blue and white tabletop.

At the Courtauld, Wayne Thiebaud’s Poignant—if Long-Vanished—America

By Sarah Moroz
An auctioneer, Oliver Barker, stands at the Sotheby’s podium with his arms raised while taking bids in a crowded auction room. Behind him is a large projected screen showing Gustav Klimt’s Bildnis Elisabeth Lederer with a bid of 205 million USD, and the actual painting hangs on the wall to his right. Audience members photograph the moment with their phones.

Sotheby’s Shatters Records at Its Breuer Debut as a $236.4M Klimt Leads the $706M Evening Sale

By Elisa Carollo
A wide view of the gallery reveals an expansive canopy of intertwined branches suspended from the ceiling with several heavy sculptural forms hanging low over the concrete floor.

Adrián Villar Rojas On Time, Decay and the Fragile Afterlife of Art

By Elisa Carollo
A stylized painting depicts a reclining nude pregnant woman covered partly by a green cloth, a small child pulls at his umbilical cord near her, and an audience of people watching from below. The scene uses geometric forms and muted earthy colors.

At Perrotin, Painter Danielle Orchard Makes an Allegory of Matrescence

By Mya Ward
Two expansive figurative paintings filled with crowd-like clusters of nude figures in swirling, smoky colors face each other in a dim gallery.

Don’t Miss: Eva Helene Pade’s Choreography of Color and Desire at Thaddaeus Ropac

By Elisa Carollo
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