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Art Basel/UBS

Professional portrait of Clare McAndrew, founder of Arts Economics, wearing a black blazer and white shirt. The image includes "Observer 2025 Art Index" branding with her name and title "Founder & Cultural Economist, Arts Economics," on the right side.

Clare McAndrew On Why the Art Market’s Future Lies Beyond the $10 Million Sale

In this Q&A, Arts Economics founder Clare McAndrew explains why confidence is the art market’s most valuable currency, how generational and geographic shifts are redistributing power and why the next phase of growth will depend on transparency, diversification and redefining what counts as “art” in an expanding global economy.
By The Editors
A photo of Massimo De Carlo wrapped in duct tape on a pristine white gallery wall captures the performative, absurd, and slightly cruel edge of A Perfect Day.

What If the Art World Isn’t Collapsing But Changing Hands as It Should?

We need to start looking at prominent gallery closures as a natural passing of the torch.
By Elisa Carollo

Most Recent Posts on Observer

Man in suit and glasses

Wall Street Rallies Behind Jerome Powell as the Fed’s Independence Comes Under Threat

By Alexandra Tremayne-Pengelly
An exterior street-level view shows a modern cylindrical building clad in vertical metal and glass panels, identified as the Toyama Glass Art Museum, standing at a city intersection under a clear blue sky.

A Museum Lover’s Guide to Toyama Glass Art Museum

By Malik Peay
A monolithic green iridescent sculpture emerges from dense vegetation under a cloudy sky.

Puerto Rico’s National Forest Is a Living Laboratory of Art and Ecology

By Elisa Carollo
Image of mobile phone displaying white screen and Wikipedia logo

At 25, Wikipedia Navigates a Quarter-Life Crisis in the Age of A.I.

By Alexandra Tremayne-Pengelly
A close-up Renaissance painting depicts Christ half-length against a dark background, his bare torso softly lit, head tilted and eyes lowered in a quiet, sorrowful expression beneath a crown of thorns.

Antonello da Messina’s Rare Double-Sided Masterpiece Will Lead Sotheby’s Old Masters Sales

By Elisa Carollo
A museum educator wearing a LACMA apron smiles while holding a sign supporting unionization inside a workspace lit with warm lights.

Museum Educator Sierra Schiano On the Structural Pressures Behind LACMA’s Union Vote

By Dan Duray
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