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Sundance Film Festival

Movie reviews, red carpet fashion, and interviews with the actors, directors and producers premiering at Sundance—one of the world’s most prestigious film festivals, held annually in Park City, Utah. Read more about Film Festivals.

‘Daughters’ Review: Sundance Award Winning Doc Explores Incarceration and Family

'Daughters'—a moving documentary which takes place across five years—uses a father-daughter dance to explore the impact of time on the incarcerated and their families.
By Oliver Jones

‘Dìdi’ Review: A Poignant And Breathtaking Coming Of Age Story

Set in the early days of social media's takeover, Sean Wang's debut feature about a Taiwanese American kid growing up in the East Bay—a prize winner at Sundance—perfectly captures emotional jumble of boyhood.
By Oliver Jones

‘Fancy Dance’ Review: Lily Gladstone in Satisfying Indie Drama That Breaks Barriers

'Fancy Dance's depiction of Indigenous issues—and its use of the Cayuga language—make it a socially, culturally important movie. This satisfying drama breaks barriers—even if it doesn’t do much to break the mold.
By Laura Babiak

The Park City Hotels to Book for the Most Luxurious Sundance Film Festival Stay

By Morgan Halberg

‘Past Lives’ Review: A Wondrous And Deliriously Honest Romantic Drama

By Oliver Jones

‘Cha Cha Real Smooth’ Is a Cozy Comedy About (Sort Of) Growing Up

By Dylan Roth

Jerrod Carmichael’s Remarkable ‘On the Count of Three’ Makes Comedy Out of the Darkest Day

By Oliver Jones

‘The Cursed’: A New Moon Rising for Werewolf Movies

By Rafael Motamayor
Mass Review

‘Mass’ Is a Shattering Chamber Piece About the Aftermath of Tragedy

By Siddhant Adlakha
First Date Sundance Interview

A Roundtable Discussion With the Team Behind Sundance’s ‘First Date’

By Max Gao
Netflix Apple TV+ Green Knight

3 Non-Franchise Summer Movies We’re Most Excited For

By Brandon Katz

‘Judas and the Black Messiah’ Finds Hope in a Profoundly Tragic Story

By Oliver Jones

Robin Wright Pushed Past Pain, Stress and Bears to Find ‘Land’

By Max Gao

Sundance’s Best Docs Made Me Grateful for the Art That Shaped Them

By Oliver Jones

Karen Cinorre Knew Her Film ‘Mayday’ Had to Be a War of the Sexes

By Max Gao

‘The Cursed’ Is a Reminder That We Need Better Werewolf Movies

By Rafael Motamayor

How Erin Vassilopoulos Forged Her ’80s-Set Twin Thriller ‘Superior’

By Max Gao
Olivia Colman and Anthony Hopkins star in The Father

Anthony Hopkins Channels the Anguish of Dementia in ‘The Father’

By Rex Reed
Amazon Borat 2 $80 Million

Amazon Reportedly Paid $80M for ‘Borat 2,’ Big Money in a Year of Big Film Acquisitions

By Brandon Katz
Richard Jenkins

Richard Jenkins Agreed to ‘Kajillionaire’ After Reading Two Pages of the Script

By Brandon Katz
Cuties on Netflix

‘Cuties’ Director Says She’s Received Death Threats Over Netflix Marketing

By Brandon Katz
Cuties on Netflix

Netflix’s ‘Cuties’ Is Taking Heat for How Its Marketing Portrays Preteens Twerking

By Brandon Katz
Palm Springs Review Interview Andy

How ‘Palm Springs’ Screenwriter Andy Siara Embraced the Nihilism

By Brandon Katz
Never Rarely Sometimes Always

The ‘Never Rarely Sometimes Always’ Producers on Changing the Abortion Conversation

By Brandon Katz
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